Telos and Other Psychographs is a mixed-genre modernist long poem
rather than a gathering of separate lyrics. Its fifty divisions move in
mostly unrhymed decasyllabic blank verse, and where the verse breaks, prose
takes over: a noir pastiche, a self-contained short story, and four
fragments of a novel.
The jacket states the method before the poem does. The front board is a
working drawing — the title set as technical linework, annotated
Fig. A, Fig. B, Fig. C, ruled like
a drafting sheet. The reverse is what the drawing is of: a figure opened up,
its head a nebula, a galaxy turning through the chest. A psychograph is a
map of the soul, and the book treats the soul as something with a plan
view and an elevation.
It is by turns argumentative and elegiac, and it borrows freely — philosophy,
natural science, aphorism, overheard speech — setting the borrowings against
the measure of the line. Formal rhyme appears, but it is the minority report
inside a larger modernist structure. Spliced in, as the publisher’s
description has it, are “philosophies, sciences, various observations,
aphorisms, and references from just about any book Euphrates could get his
hands on — except the bad ones.”
“This is a book of poems for people who read a lot of books (and poems).
It’s a number of paradoxes. It’s challenging yet rewarding, dense yet
readable, archaic yet poetic, and innovative yet traditional. A great many
books influenced but none came before. It is Telos and Other
Psychographs.”
— from the front flap